Voyage en france dupin
Victor Hugo commented, "George Sand cannot determine whether she is male or female. Those who found her writing admirable were not bothered by her ambiguous or rebellious public behaviour. While there were many contemporary critics of her comportment, many people accepted her behaviour until they became shocked with the subversive tone of her novels.
#Voyage en france dupin free#
Also scandalous was Sand's smoking tobacco in public neither peerage nor gentry had yet sanctioned the free indulgence of women in such a habit, especially in public, although Franz Liszt's paramour Marie d'Agoult affected this as well, smoking large cigars. In addition to being comfortable, Sand's male attire enabled her to circulate more freely in Paris than most of her female contemporaries and gave her increased access to venues that barred women, even those of her social standing. Sand was one of the women who wore men's clothing without a permit, justifying it as being less expensive and far sturdier than the typical dress of a noblewoman at the time. Some women applied for health, occupational, or recreational reasons (e.g., horse riding), but many women chose to wear pants and other traditional male attire in public without receiving a permit. In 1800, the police issued an order requiring women to apply for a permit in order to wear male clothing. Sand was one of many notable 19th-century women who chose to wear male attire in public. Īurore Dupin meeting General Murat in her uniform, illustrated by H. Sand's mother, Sophie-Victoire Delaborde, was a commoner. She was also more distantly related to King Louis Philippe of France through common ancestors from German and Danish ruling families. Her father, Maurice Dupin, was the grandson of the Marshal General of France, Maurice, Comte de Saxe (an out-of-wedlock son of Augustus II the Strong, King of Poland and Elector of Saxony), and a sixth cousin of Kings Louis XVI, Louis XVIII and Charles X of France.
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Sand inherited the house in 1821 when her grandmother died she used the setting in many of her novels.
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This tale was directly influenced by Jules Verne's Journey to the Centre of the Earth ( 1864) one of the balloons used by the Compagnie des Aérostiers – an amateur brigade founded by Gaspard-Félix Tournachon (1820-1910) (more famous under his pseudonym Nadar) to break the siege of Paris in 1870 – was named the George-Sand.George Sand – known to her friends and family as "Aurore" – was born in Paris and was raised for much of her childhood by her grandmother Marie-Aurore de Saxe, Madame Dupin de Francueil, at her grandmother's house in the village of Nohant, in the French province of Berry. The possibility remains that the luridly melodramatic polar expedition is also a dreamed experience "within the crystal". This is both an anticipation of Virtual Reality, in which narrator Alexis finds his cousin Laura imbued with magical romance and glamour (very different from her mundane self) in a kind of Pocket Universe literally within a crystal geode and also a Hollow Earth tale in which Alexis and Laura's father travel to the North Pole and discover that the interior of the world is crystalline, like an enormous geode but penetrable at the poles.
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Of sf interest is Laura: Voyage dans le cristal ( 1864 trans Pauline Pearson-Stamps as Journey Within the Crystal 1992 new trans Sue Dyson as Laura: Journey into the Crystal 2004).
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Pseudonym of French author Amantine Lucille Aurore Dupin (1804-1876), a figure of cultural importance in France from the 1830s until her death she published widely, an oeuvre which included about forty novels alone.